Welcome to the ACQL,
I am delighted to be beginning a 2-year term as President of our association. I would like to extend my deep gratitude towards Sara Jamieson, Outgoing President, who leaves the Association in excellent standing.
I’m very lucky to be able to count on a promising executive council which includes members who have been involved for a long time. A number of these members are continuing in their roles: Steven Urquhart as Treasurer and Jimmy Thibeault as Chair of the Gabrielle Roy prize – French section; Andrea Cabajasky is now the Chair of the Gabrielle Roy prize – English section. We also welcome new members to the council: Shelley Hulan and Scott Powers, Vice-Presidents (Anglophone and Francophone, respectively) as well as Medrie Purdham who joins us as Local Coordinator to help with organizing the 2018 conference at the University of Regina. Misao Dean and Sylvie Bérard have already taken charge of our Facebook page to keep you up to date.
The entire team will work hard this year to prepare a stimulating annual conference which will allow us the opportunity to gather together and share our research. In order to help us achieve this goal, we ask for your active participation: please respond to the call for papers by sending proposals for member-organized panels and paper proposals. Furthermore, don’t hesitate to send me any relevant announcements (conferences, calls for papers, available positions etc.) so that I may pass them on to our mailing list.
Now that we have a functioning website (thanks Sara!), we will work to make it more interactive and comprehensive over the next few weeks.
September 20, 2017
2016 Gabrielle Roy Prize Winners
The Association of Canadian and Quebec Literatures is pleased to announce that the winner of the 2016 Gabrielle Roy Prize (English section), which each year honours the best book of Canadian literary criticism written in English, is Canadian Graphic: Picturing Life Narratives, edited by Candida Rifkind and Linda Warley (Wilfrid Laurier University Press). The winner was chosen by a jury composed of Misao Dean (University of Victoria), Shelley Hulan (University of Waterloo), and Christl Verduyn (Mount Allison University). The prize was awarded at a reception held by the Association of Canadian and Quebec Literatures, on the evening of May 27th in Toronto.
Gabrielle Roy Prize 2016
The Association for Canadian and Quebec Literatures (ACQL) is pleased to announce the finalists for the 2016 Gabrielle Roy Prize (English section), which each year honours the best work of Canadian literary criticism published in English. This year’s shortlisted finalists (in alphabetical order) are Cara Fabre for Challenging Addiction in Canadian Literature and Classrooms (University of Toronto Press),Â Dean Irvine and Smaro Kamboureli for their edited collection, Editing as Cultural Practice in Canada (Wilfrid Laurier University Press), and Candida Rifkind and Linda Warley for their edited collection, Canadian Graphic: Picturing Life Narrratives (Wilfrid Laurier University Press). The shortlist was chosen by a jury composed of Shelley Hulan (University of Waterloo), Christl Verduyn (Mount Allison University), and Misao Dean (University of Victoria) The winner will be announced publicly on May 27th, 2017 at the Association for Canadian and Quebec Literatures annual conference, which this year will take place in Toronto. The Prize will be awarded at a reception to be held on Saturday May 27th, from 6:15-7:45 in Architecture 100 at Ryerson University.
Chair, English section, ACQL/ALCQ
Department of English
University of Victoria
ACQL Annual Conference Program
Here is the program for the ACQL’s annual conference, which will take place at the Congress of the Social Sciences and Humanities at Ryerson University, May 27-29, 2017.
Upcoming Annual Conference
We are delighted that our keynote speakers for the ACQL annual conference at Ryerson will be Heather Murray (English) and Pascal Riendeau (French), and that our conference will feature two events featuring literary authors: a reading by Louis-Karl Picard-Sioui (in French, in collaboration with APFUCC) and a plenary address by Toronto Poet Laureate George Elliott Clarke, in collaboration with ACCUTE.
Entitled “Toronto Bohemia: The Literary Life of the Gerrard Street Village” Murray’s address will give a sense of the vibrant social and creative life of Gerard Street Village, once a thriving artistic community that was famous (and often infamous) as “Toronto’s Greenwich Village.” Gerrard Street runs across the top of Ryerson University. If you walk a few
blocks west along Gerrard, crossing Yonge and then Bay, you will come to a row of shabby Victorian houses, all that remains of the Gerrard Street Village. For some forty years, until the land was bought-up for development and expropriated for hospital expansion, the shoddily-built houses of the Village, and the unused stables and outbuildings lining its crowded lanes, provided studio space and cheap housing for Toronto artists, craftspeople, literati, radicals, and anti- philistines of all descriptions, as well as affordable storefronts for shops, galleries, coffee bars, and other gathering places. Lawren Harris and Albert Franck painted its streets; the Isaacs Gallery got its start here; beats and then hippies drank beer and read poetry at the Bohemian Embassy; and aspiring writers like Margaret Atwood and Michael Ondaatje hung out at Marty Ahvenus’ Village Book Store. But while the Gerrard Street Village is well- known to historians of the studio craft movement in Canada, and appears in histories of twentieth- century painting and key artist biographies, the importance of the Village in the development of English-Canadian literature (particularly at mid-century), and in the networking of authors with practitioners of other forms (performance, music, crafts, visual arts), is little-known. Drawing upon the papers of some key ”villagers” (Martin Ahvenus, Avrom Isaacs, Nancy Meek Pocock, for example) as well as other deposits, Murray’s address will attempt to understand “literary life” in the Village – its authors and their productions, from the tough times of the Depression and the Second World War through to the 1950s and 60s – within the context of this closely-knit cultural (and countercultural) community.
Heather Murray teachers in the English Department at the University of Toronto, and is a faculty member in the Collaborative Graduate Program in Book History and Print Culture. She has recently completed a project on spelling reform as a social reform movement in nineteenth-century Canada. (The first installment, co-authored with Yannick Portebois, has appeared as “Steam Writing in the Urli Daze: William Orr, the Canadian Phonetic Pioneer, and the Cause of Phonographic Reform,” in the fall 2016 issue of Papers of the Bibliographical Society of Canada.) She is beginning a new project on the history of “reading” in English Canada and the relationship between reading practices and nationalism.
Plenary Address: George Elliott Clarke
The 4th Poet Laureate of Toronto (2012-15) and 7th Parliamentary Poet Laureate (2016-17), George Elliott Clarke is a revered poet. He has invented the term Africadian and pioneered the study of African-Canadian literature. He wrote the libretto for James Rolfe’s acclaimed opera, Beatrice Chancy (1998), and saw his play, Whylah Falls: The Play, translated into Italian and produced in Venezia, Italy (2002). He is a noted artist in song, drama, fiction, screenplay, essays, and poetry. Now teaching African-Canadian literature at the University of Toronto, Clarke has taught at Duke, McGill, the University of British Columbia, and Harvard. This event is presented in collaboration with ACCUTE.
La conférence de Pascal Riendeau (en collaboration avec l’APFUCC) sera intitulée « La littérature qui pense. L’essai québécois au XXIe siècle ». Quelle est la situation de l’essai au Québec en 2017 ? Autrement dit, quelles sont les principales tendances, les voix qui portent, les œuvres fortes, les formes nouvelles ? Dans le dessein de mieux répondre à ces questions, Riendeau souhaite brosser un tableau de l’essai québécois depuis l’an 2000, en cherchant à mesurer la pertinence de l’essai comme creuset d’interaction entre les discours. Bien qu’il s’intéresse principalement aux essais sur la littérature ou, plus précisément, écrits par des auteurs qui proposent une « vision littéraire sur le monde » (Nardout-Lafarge), son étude cherche toutefois à répertorier un ensemble assez vaste. Celui-ci inclut non seulement les essais de facture plus classique, mais aussi des œuvres hybrides (entre l’essai et le récit, par exemple), sans oublier les textes consacrés à des phénomènes sociaux dans lesquels la parole peut devenir plus engagée ou encore ceux qui laissent davantage le moraliste s’exprimer. Sa conférence possède donc deux objectifs principaux : effectuer, dans un premier temps, un bilan de la production essayistique québécoise depuis le début de XXIe siècle, en cherchant à dégager les idées fortes, les propositions novatrices, les jugements péremptoires ou les aphorismes inédits qu’on y retrouve. Dans un second temps, il retiendra quelques œuvres singulières, celles qui s’apparaîtront comme les plus originales ou les plus intéressantes des quinze dernières années, que ce soit L’art presque perdu de ne rien faire, de Dany Laferrière, L’étreinte, d’Hélène Dorion, Année rouge, de Nicolas Langelier ou Fractions, de Jean Marcel. Il entend ainsi procéder à une analyse des idées et des imaginaires qui nous permettent de mieux comprendre ce que nous dit l’essai — toute cette littérature qui pense — de la culture de notre époque.
Pascal Riendeau est professeur à l’Université de Toronto où il enseigne les littératures française et québécoise. Il est l’auteur de Méditation et vision de l’essai. Roland Barthes, Milan Kundera et Jacques Brault (Éditions Nota Bene, 2012). Sous la direction générale d’Aurélien Boivin, il a coordonné la section « Essai » du tome VIII du Dictionnaire des œuvres littéraires du Québec (Éditions Fides, 2011). En collaboration avec René Audet, il a dirigé le dossier de la revue Voix et Images intitulé « Les essais québécois contemporains au confluent des discours » (no 117, printemps/été 2014). Il publié de nombreux articles sur la littérature contemporaine et il a tenu une chronique sur le roman à Voix et Images de 2009 à 2016. Cet événement sera presenté en collaboration avec l’APFUCC.
Rencontre littéraire : Louis-Karl Picard-Sioui
Avant tout poète (Au pied de mon orgueil, 2011 ; De la paix en jachère, 2012 ; Les grandes absences, 2013), Picard-Sioui est également auteur pour la jeunesse, auteur de textes scientifiques sur le peuple wendat aussi bien que d’œuvres créatives performées dans une variété de contextes. Très impliqué dans la vie culturelle et littéraire autochtone, il a également publié une version du récit de la création La femme venue du ciel (2011), et il organise et anime annuellement le Salon du livre des Premières Nations, Kwahiatonhk!, à Wendake. Tout récemment, il a participé au projet littéraire collectif Amun (sous la direction de Michel Jean, 2016), et son récit Chroniques de Kitchike paraîtra bientôt chez Hannenorak. Cet événement sera presenté en collaboration avec l’APFUCC.
Call for Participants
An exciting lineup of member-organized panels has been proposed for this year’s conference. All of these panels need participants, and we invite you to read the descriptions below and submit your name if you are interested in participating as a panelist in any of these:
- A Time for Reconciliation?
- AlieNation: Performing Canada in Accented Canadian Poetry
- AlieNation: Performing Canada as “New Canadian” Poets
- Roundtable: Whither Early Canadian Literature?
- Leonard Cohen In Retrospect
- The Presence of Absence: Visual Hauntings in Canadian Literature
- CanLit’s Racializing Assemblages: Human/Inhuman/Posthuman Interventions
- Repatriating Canada’s Literature of the Great War
- CFP for Panel on Self-Translation and Canadian Writers
- Sex in the Wild
- TrashCan: An Anti-Canon Manifesto
- #UBCAccountable: Feminist Past, Present, and Futures in CanLit
- Particular Lives and Depictions of Care in 21st Century Women’s Writing in Canada
- Politics of the personal in today’s Aboriginal literature
- Critical Challenges and the Changing Academy: A Roundtable for Herb Wyile
ACQL Conference 2017 Call for Papers and Sessions
ACQL’s annual conference will take place at the Congress of the Social Sciences and Humanities being held at Ryerson University in Toronto from May 27-29, 2017.
The general call for papers invites proposals for 15-20 minute papers, in English or in French, on research, teaching, and professional matters of relevance to current or prospective members. Paper proposals should be no more than 300 words, and should be accompanied by a short biography and a 50 word abstract (in Word or RTF). They are due on or before 1 February 2017.
For more information, see our General Call for Papers and Sessions.
Gabrielle Roy Prize 2015
The Association for Canadian and Quebec Literatures is pleased to announce that the winner of the 2015 Gabrielle Roy Prize (English section), which each year honours the best book of Canadian literary criticism written in English, is Winfried Siemerling, author of The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Past (McGill-Queens University Press). The winner was chosen by a jury composed of Andrea Beverley (Mount Allison University), Gregory Betts (Brock University), and Misao Dean (University of Victoria). The prize was awarded at a reception held by the Association of Canadian and Quebec Literatures, on the evening of May 28th in Calgary.
Jury’s comments: Winfried Siemerling’s The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Past is a ground-breaking and consequential volume. It examines black Canadian writing in both English and French from the early eighteenth century to the present, contextualizing it vis-à-vis the nation-state and the transnational black Atlantic. Poised to galvanize scholarly and classroom conversations on this understudied corpus, Siemerling’s book, which analyzes black Canadian literary representations of history, is history-making in its own right.
The jury would also like to congratulate the two other finalists in this year’s competition:Margery Fee, for Literary Land Claims: The “Indian Land Question” from Pontiac’s War to Attawapiskat (Wilfrid Laurier University Press); and Paul Huebener for Timing Canada: The Shifting Politics of Time in Canadian Literary Culture (McGill-Queens University Press).
“Margery Fee’s Literary Land Claims: The “Indian Land Question” from Pontiac’s War to Attawapiskat is an important re-consideration of Canadian literature that addresses the need to de-colonize our reading practices and our disciplinary institutions. Each chapter offers an opportunity to engage with a different theoretical problem in the literary interpretation of indigenous writing, by putting canonical works in the context of indigenous law and indigenous literary theory. Literary Land Claims represents the best traditions of engaged scholarship.”
“Timing Canada presents a remarkable reimagining of CanLit that goes beyond a thematic reconsideration of texts by offering a new heuristic to imagine the flow of transnational, transcultural influences into and around Canadian society and literature. Combining philosophical, religious, economic, and poetic conceptions of time, Huebener deftly applies this rubric to reveal how the cultural politics of time underpins Canadian literary imaginations.”
Chair, English section, ACQL/ALCQ
Department of English
University of Victoria
2016 Barbara Godard Prize
The Association for Canadian and Quebec Literatures is pleased to announce that the winner of the 2016 Barbara Godard Prize for Best Paper by an Emerging Scholar is Rebekah Ludolph (Wilfrid Laurier University) for her paper “Humour, Intersubjectivity, and Indigenous Female Identity in Anahareo’s Devil in Deerskins.”
The jury consisted of Jennifer Blair (Univeristy of Ottawa), Maïté Snauwaert (University of Alberta) and Alba de Béjar Muiños, last year’s winner, who recently completed her PhD at the University of Northampton.
Rebekah’s paper tackled a difficult topic with nuance and conviction, always anchoring its argument in key and subtle readings of the text in question, and never letting up on the challenge its analysis presents to contemporary critical reading habits and capacities for interpretation. It also incorporated a substantial (but not overwhelming) amount of relevant research, including reviews from the text’s initial publication and current criticism on autobiography and settler romantic nationalism. All of this was accomplished with the time limits of the conference paper in mind. Perhaps even more importantly, the paper is written in such a way that it can be readily heard—indeed, thoroughly engaged with by audience members—without sacrificing complexity. Congratulations to the author on a well-written and thought-provoking paper.
The runner-up for the prize is Matthew Cormier (University of Alberta) for his paper, “What Does Canada Know About Crisis?: Apocalyptic Narratives in Twenty-First-Century Canadian Fiction.” The jury commended Matthew’s paper for asking important critical questions—questions that the jurors themselves felt they would want to return to in thinking about the literature of “crisis.”
I am very pleased to send you the program for the ACQL’s annual conference, which will take place at the Congress of the Social Sciences and Humanities at the University of Calgary, May 28-30, 2016. If you are presenting a paper, please take a few minutes to check that there are no errors in the title of your paper, your name, or your affiliation. If you do notice any errors, please contact program chairs Andrea Cabajsky(firstname.lastname@example.org) and Sylvie Bérard (email@example.com). Please note that minor changes may be made to the program. You are encouraged to download the final program from the ACQL website (www.artsites.uottawa.ca/alcq-acql/en/) two weeks before the conference.
This year’s conference promises to be an exciting event, with guest speakers Marie Carrière (University of Alberta) and Aritha van Herk (University of Calgary), with literary readings by writers Larissa Lai and Marie-Célie Agnant, as well as an evening of readings by Shani Mootoo, Christian Bök, and Gregory Scofield followed by a bilingual open mic. There is a strong line-up of member papers this year, as well as events such as the Gabrielle Roy Prize Reception and the conference dinner at the Kensington Pub. Please let me know if you plan to attend the dinner (firstname.lastname@example.org).
May I remind you that you need to take out a membership in the ACQL in order to participate in the conference. You will also need to register for Congress. Register before March 31 to take advantage of early bird rates (http://congress2016.ca/register). We recommend that you book your accommodations as soon as possible (seehttp://congress2016.ca/plan-your-trip).
If you are a student (masters, doctoral, postdoctoral), I encourage you to submit your paper for the Emerging Scholar Prize (see the ACQL website for details).
Please do not hesitate to get in touch with me if you have any questions or comments. I wish you all the best for the end of term, and I look forward to seeing you at Congress.
All best wishes,
Call for sessions and papers
Engaging Society through Literature and Criticism
Association for Canadian and Québec Literatures Annual Conference
May 28-30, 2016
University of Calgary
As ground zero for debates about oil sands, energy, and the environment, Alberta, the site of Congress 2016, inspires us to explore the roles that literature and criticism have played over time as vehicles for intervening in sociopolitical debates or establishing discursive agency. Throughout the literary histories of Canada and Québec, how have writers, critics, or theorists intervened in issues that have shaped their respective communities? As the fora at which scholars have traditionally made their voices heard, literary associations have also arguably played an important role in shaping the terms of intellectual, affective, and ethical response. From the literary and historical societies of the nineteenth century to literary associations such as ACQL in the twentieth and twenty-first, how, if at all, have amateur and professional organizations remained socially relevant? The Western Canadian and Franco-Albertan milieu of this year’s conference implicitly invites us to think meaningfully about regional literary and critical centres in relation to the past, present, and future of literary associations such as ACQL. Whether in relation to literary historical events or to recent issues and debates, this year’s conference encourages us to reflect on the roles that creative writers and literary critics have played over time in variously shaping or redefining the terms of social engagement in Canada and Québec.
Papers might address the following questions, but are not limited to them:
• How do we trace the creative and intellectual impact that oil sands, fracking, and
resource extraction have had on literature and scholarship?
• To what extent have the literatures of Canada and Québec been shaped by authorial intervention into social issues or debates of contemporary relevance?
• How would we describe the scholarly and intellectual legacies of amateur and professional literary associations in Canada and Québec?
• How have regional literary and critical centres shaped the development of Canadian and Québécois literatures and scholarly disciplines?
• From affect theory to posthumanism, globalization studies to postnationalism, how have theorists engaged in, or even helped to determine, issues of contemporary significance?
• What lessons can the past teach us about the social roles of literature and criticism in Canada and Québec?
We also welcome proposals for member-organized sessions on topics related to any aspect of Canadian and Québec literatures. Calls for member-organized sessions should be no more than 200 words. They are due on or before 15 November 2015 and will be posted on the ACQL website.
Please send paper proposals (no more than 300 words) with a short biography and a 50-word abstract in Word or RTF to one of the coordinators listed below by 1 February 2016.
All paper or session proposals can be written in French or English. Those who propose papers or sessions must be members of the ACQL by 1 March 2016. See the ACQL website (www.artsites.uottawa.ca/alcq-acql/en/) for membership and registration information.
Professor Andrea Cabajsky
Department of English
Université de Moncton
19 Antonine Maillet Ave.
Professor Sylvie Bérard
1755 West Bank Drive
Telephone: (705) 748-1011 x7383
Fax : (705) 748-1630
Gender, Sex and Race Issues in French-Canadian Literature: Feminist, Queer and Intersectional Perspectives
Workshop organized by Pierre-Luc Landry (Assistant Professor, Royal Military College
of Canada) and Mathieu Simard (Ph.D. student, University of Ottawa)
In 2013, in Écrire au féminin au Canada français, Johanne Melançon observed that “since the early 1970s, several women spoke out in Acadia, in francophone Ontario and the West, but few works have been studied until now.” Therefore, Melançon proposed in her book “to look at the writings of these women” rather than develop “a set of feminine criticisms”. Entitled Gender, Sex and Race issues in French-Canadian Literature: Feminist, Queer and Intersectional Perspectives, this workshop aims to both continue and complicate this reflection. We invite researchers to study depictions of sex, gender and race relations as well as the representation of non-traditional sexualities. Participants may present on any French-Canadian text regardless of the author’s gender.
The workshop aims more specifically to understand how to articulate issues of gender, sex and race in French-Canadian literary discourse. For example, participants could analyze gender destabilization strategies – whether through the displacement and disguise of the categories of sex or gender, or their complete neutralization – and the construction of relations of domination in the representation of sexuality or social, economic and material issues of sex, gender and race. Participants could also take an intersectional perspective (Kimberlé Crenshaw, 1991). Intersectionality “contributes a new complexity to the understanding of hierarchies and relations of domination” and “reveals a more complex reality” in which oppressions “interact dynamically” (Maillé, 2014). Participants could thus consider the construction of subjectivities by asking themselves, for example, how the French-Canadian subject, already dominated because of its minority language status, plays with – even “performs” (Butler, 1990) – those other forms of domination that may be constituted by sex, gender, race or even sexuality.
The workshop will shed new light on French-Canadian literature by examining issues of race, sex, gender and sexual orientation. It will not confine itself to a single theoretical perspective, whether queer theories or gender studies. Inclusive from the outset, it will be open to feminist studies, postcolonial and decolonial studies, to political analysis of literary texts, to discourse analysis, to sociocriticism, to narratology, to theories of reception, etc. Any contemporary French-Canadian text can be studied and Indigenous literary works in the French language may also be considered.
This workshop is organized as part of the symposium CAUCTF at the Congress of the Humanities and Social Sciences to be held at the University of Calgary from May 28 to June 3, 2016. Paper proposals (300 words), with contact information and a bio-bibliography of the author, must be sent to the workshop supervisors (Pierre-Luc Landry <Pierre-Luc.Landry@rmc.ca> and Mathieu Simard <msima050@uOttawa.ca>) by February 1, 2016.
BUTLER, Judith, Gender Trouble: Feminism and the Subversion of Identity, New York, Routledge, coll. “Thinking Gender”, 1990, 172 p.
CRENSHAW, Kimberlé, “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color”, in Stanford Law Review, 1991, vol. 43, n° 6, p. 1241–1299.
MAILLÉ, Chantal (2014), “intersectional approach, postcolonial theory and differences issues in the Anglo-Saxon and French feminisms” in Politics and Society, Volume 33, number 1, p. 41-60.
MELANÇON, Johanne (dir.), Écrire au féminin au Canada français, Sudbury, Prise de Parole, coll. “Agora”, 2013, 316 p.
Queer Disruptions of Rural Time-Space
Panel organized by Zishad Lak and Jennifer Baker (University of Ottawa)
Rural spaces can be said to be constructed in three dimensions of time: the genealogical, the quotidian, and the cyclical. Progress within this context is often defined through the propagation of productive family units and farms: the property of both family and, by extension, of the colonial state. Understanding of time and space in these settings is therefore deeply influenced by socio-cultural assumptions about the nature of landscape,
work, sexuality, and leisure time. Characters and plots that disidentify with this time-space fragment and interrogate its stability and naturalness. This panel seeks to examine the queer resistance and the fragmentation that reveals the constructed nature of the ideal rural landscape in Canadian rural novels.
Proposals might speak to a wide variety of topics and their relation to rural constructions of space and time, including but not limited to:
• The absence of/erasure of indigenous organizations of time-space
• Rural work and Queerness
• Queerness and rural genres (georgic, pastoral, agrarianism)
• Folk cultures and Timelessness
• Indigenousness and “temporal ghettos”
• Rural Ecologies and Queer Sexualities
Please send your proposal (300 words) in English or in French to the following email addresses no later than February 1, 2016: email@example.com and firstname.lastname@example.org.
Survival: New Perspectives on the Work of Marie-Célie Agnant
(joint session with APFUCC)
Published in Quebec, Haiti and France, and translated into many languages, the work of Marie-Célie Agnant, comprising novels, poems, stories and texts for youth, enjoys an international reputation.
For this native of Port-au-Prince, who has lived in Quebec since 1970, literature can give a voice to those forgotten by history and expose contemporary social realities. While Agnant’s texts regularly address themes of exile and the relation to the past and memory, they go beyond the individual experience to touch, in one way or another, readers who, henceforth, are aware of the fragility and singularity of the human experience. Many critical essays have approached Agnant’s work from postcolonial, metafeminist, and mythocritical perspectives. From the poetics of wandering, the figure of Medea, to putting a complex otherness into discourse, Agnant’s texts denounce, question and inspire.
Our age is often conceptualized as being “the end of an era” as well as “the era of the end,” as demonstrated by contemporary philosophical reflections (Slavoj Žižek and the end of capitalism, Michel Serres and the time of crisis, the feeling of the end in Paul Chamberland, old emotional attachments in Berlant). A reactualization of the apocalyptic discourse has become omnipresent both in the field of popular culture and in the literary arts. We would like to look at the matrix of survival in the work of Marie-Célie Agnant.
Therefore, we invite participants to reflect on several questions, including the following:
How do Agnant’s texts address the question of survival? Which lives are valued more, are more worthy of being lived, as suggested by Judith Butler (Precarious Life, 2004)?
“Survival” as a strategy of “Life”
From the eponymous characters of Sara to those of Emma and Rosa, how does resilience inhabit Agnant’s work? What methods and strategies are used?
The space of survival
How is survival related to space and temporality? How does Agnant evoke the concept of habitability or of chronotope (Bakhtin, Foucault)?
A poetics of survival?
How is the survival matrix placed in the speech setting? What is the role of the poétique du cri? Is saying the unsayable already survival? Is it sufficient?
Leaders of the workshop:
Adrien Guyot (email@example.com)
Marie Carrière (firstname.lastname@example.org)
Deadline for submitting proposals: Feburary 1, 2016
Barbara-Godard Prize 2015
The winner of the 2015 Barbara Godard Prize for the Best paper by an Emerging Scholar is Alba de Béjar Muiños for her paper “Towards a Posthuman Ethic: Post-Anthropocentrism and the Role of the Cyborg in Larissa Lai’s Oeuvre.” The jury, composed of Sophie Marcotte, Isabelle Kirouac-Massicotte, and Sara Jamieson, was impressed by the essay’s nuanced and complex readings of Lai’s poetry and by its incisive analysis of the links between between language and the concept of the posthuman. This well-structured and well-written paper convincingly situates its close literary analyses within the context of contemporary debates about the posthuman in order to show how Lai’s 2009 collection Automaton Biographiesproblematizes identity and place in the era of biotechnology.
The jury awarded an honourable mention to Mariève Maréchale for her paper “Générer l’inédit : le traitement du temps dans les écritures lesbiennes québécoises.”
Gabrielle Roy Prize 2014
The Association of Canadian and Quebec Literatures is pleased to announce that the winner of the 2014 Gabrielle Roy Prize (English section), which each year honours the best book of Canadian literary criticism written in English, is Neal McLeod, editor ofIndigenous Poetics in Canada (Wilfrid Laurier University Press). The shortlist was chosen by a jury composed of last year’s winner, Paul Martin (MacEwan University), Erin Wunker (Dalhousie University) and Tanis MacDonald (Wilfrid Laurier University). The prize was awarded at a reception held by the Association of Canadian and Quebec Literatures, on the evening of May 30th in Ottawa.
In Indigenous Poetics in Canada, editor Neal McLeod constellates twenty-eight original texts that explore and articulate the dynamics of Indigenous cultural production. The collection, which is divided into four sections—Poetics of Memory, Poetics of Place, Poetics of Performance, and Poetics of Medicine—presents an assemblage of essays, scholarly research, interviews, and stories to situate histories of Indigenous poetics that reach beyond the “conceptions of what poetry is from the Anglo-môniyâw interpretative matrix.” McLeod notes that using poetics as a framing device (a suggestion which he acknowledges was made by Lee Maracle) is a rhetorical and ideological strategy. This collection demonstrates that poetic inquiry becomes a means of exploring and understanding an expansive range of narrative practices as rigorous modes of cultural production.
The jury would also like to congratulate the three other finalists in this year’s competition: Jennifer Drouin forShakespeare in Quebec: Nation, Gender, Adaptation (University of Toronto Press); Larissa Lai for Slanting I, Imaging We: Asian Canadian Literary Production in the 1980s and 1990s (Wilfrid Laurier University Press); andLinda M. Morra for Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship (University of Toronto Press).
In Shakespeare in Quebec, Jennifer Drouin examines how by uniting the Québécois language and Shakespeare’s texts, Québécois adapters embrace cultural hybridity, appropriate Shakespeare’s canonical authority, and legitimize their local struggle for national liberation. The book offers a fascinating look at the rich history of adaptations of Shakespeare since the Quiet Revolution and how these adaptations differ in approach from those that have emerged in other postcolonial contexts.
Larissa Lai’s Slanting I: Imagining We is a long overdue discussion of Asian Canadian literary production and its examination of the rhetoric of a literary nation in relation to ruptures and excesses. The book offers a rigorous examination of political and cultural resistance, especially the final chapter, an indispensable examination of the historical position and legacy of the 1995 Writing Thru Race conference.
Linda M. Morra’s Unarrested Archives delves into the work of women’s withheld or “unarrested” archives dovetailed with affect and the dynamics of preservation in Canadian literary history. Through her study of the archival materials of Pauline Johnson, Emily Carr, Sheila Watson, Jane Rule, and M. NourbeSe Philip, Morra provides a look at the bristling politics of valuation as it encounters the rhetoric of the nation-state.
Upcoming Annual Conference
We are pleased to present you the final program for ACQL’s annual conference, which will take place at the Congress of the Social Sciences and Humanities at the University of Ottawa, May 30-June 2, 2015.
Moreover, we are delighted to announce that our keynote speakers for the ACQL annual conference will beJennifer Henderson (English) and Lucie Robert (French), and that our conference will feature two literary readings with writers Gilles Lacombe (in French, in collaboration with APFUCC) and Cyril Dabydeen (in English, in collaboration with CACLALS).
Entitled “Settler Sense and Indigenous Resurgence” and presented in collaboration with CACLALS, Jennifer Henderson’s address takes note of how the market’s triumphant second coming is sensed by many in terms of loss: a loss of public things, of justifications for social provision, of egalitarian political horizons. Speaking from inside of this sense, her paper considers the ambiguous implications of its melancholy orientation around what is lost, defunct, or dead. Specifically, what does it mean that this historical sense coincides with a moment of Indigenous renaissance or resurgence? Divergent itineraries would seem to stem from the view of the state as agent of cultural genocide, on the one hand, and the at least potential guarantor of social reciprocity and security, on the other. But noticing the historical coincidence of the melancholic response to neoliberalism and what may be a moment of openings for Indigenous self-determination can raise important questions, too. This paper asks what kind of productive cohabitation might be possible between cultural work directed at a ‘radical remembering of the future’ (Leanne Simpson) and work that trains perception on the ruins of settler capitalist modernity (Gail Scott).
Jennifer Henderson is the author of Settler Feminism and Race Making in Canada (2003) and the co-editor ofReconciling Canada: Critical Perspectives on the Culture of Redress (2013) and Trans/Acting Culture, Writing, and Memory: Essays in Honour of Barbara Godard (2013). From 1992 to 2000, she was a co-editor of the journal, Tessera: Feminist Interventions in Writing and Culture. Her criticism has appeared in the journals Canadian Literature, English Studies in Canada, Topia,and Studies in Canadian Literature,as well as the essay collections Home-Work: Postcolonialism, Pedagogy, and Canadian Literature andUnsettled Remains: Canadian Literature and the Postcolonial Gothic. She is an associate professor in the Department of English Language and Literature at Carleton University.
Gabrielle Roy Prize 2014
The Association for Canadian and Quebec Literatures (ACQL) is pleased to announce the finalists for the2014 Gabrielle Roy Prize (English section), which each year honours the best work of Canadian literary criticism published in English. This year’s shortlisted finalists (in alphabetical order) are Jennifer Drouin forShakespeare in Quebec: Nation, Gender, Adaptation (University of Toronto Press); Larissa LaiforSlanting I, Imaging We: Asian Canadian Literary Production in the 1980s and 1990s(Wilfrid Laurier University Press); Neal McLeod, editor, for Indigenous Poetics in Canada(Wilfrid Laurier University Press); and Linda M. Morra for Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship (University of Toronto Press). The shortlist was chosen by a jury composed of Paul Martin (MacEwan University), Erin Wunker (Dalhousie University) and Tanis MacDonald (Wilfrid Laurier University). The winner will be announced publicly on May 30th, 2015, at the Gabrielle Roy Prize reception at the Association for Canadian and Quebec Literatures annual conference, which this year will take place in Ottawa, Ontario. The prize reception will be held at the ACQL banquet from 5:30- 8:00 p.m. on May 30th at Vittoria Trattoria, 35 William Street, in the Byward Market area of Ottawa. Since spaces at the banquet are limited, please contact Sara Jamieson if you would like to attend (email@example.com).
Chair, English section, ACQL/ALCQ
Department of English and Film Studies
Wilfrid Laurier University
Please find here the calls for papers for six member-organized sessions for our 2015 conference. We encourage you to participate by submitting a proposal to one of these calls for papers, or to the ACQL general call for papers, “Celebrating Forty Years.” The deadline for all paper proposals has been extended to Feb. 1 2015.
ACQL’s 40th Anniversary
CALL FOR SESSIONS AND PAPERS
Celebrating 40 Years
Association for Canadian and Quebec Literatures Annual Conference
May 30-June 2, 2015
University of Ottawa
Formed in 1975 by members such as Joanne Burgess, Patricia Morley, Donald Smith, and André Vanasse, ACQL is celebrating its fortieth year in 2015. Like many of its related institutions, ACQL was founded in an era when state policies supporting official bilingualism were newly born and when postcolonial and other contemporary theory was only beginning to exert an effect on the fields of Canadian and Quebec literary studies. Much has changed in forty years. The bicultural model upon which this association was founded has been thoroughly challenged by the rise of postcolonial theory, critical race studies, and diaspora and globalization studies, but, arguably, English / French bilingualism and cross-cultural exchange retain a continuing importance in the study of English-Canadian and Quebec literatures. Moreover, analyzing the sites of exchange between these apparently distant fields grows in importance as the diverse literary cultures of franco-Canadian communities, most of which have strong ties to the anglophone world around them, gain recognition and institutional stature. This anniversary offers us an opportunity to reflect critically on changes in the fields of Canadian and Quebec literary studies, as well as on the ways in which ACQL and other institutions contemporary with it have shaped and / or responded to shifts in these fields.
Papers might address the following questions, but are not limited to them :
– What is the relevance of the ACQL mission statement, which presents ACQL as a “learned society that promotes research, pedagogies, new knowledges, literary criticism and theory about the diverse literatures of Canada and Québec. ACQL also seeks to foster scholarly conversation between those committed to the study and research of these literatures in English and French” ?
– What are the scholarly and intellectual legacies of the founding members of ACQL?
– Does bilingualism matter to Canadian and / or Quebec literary studies ?
– What are the major disciplinary and theoretical shifts that have occurred in Canadian and Quebec literary studies since 1975 (e.g., influence of contemporary theory ; diaspora, globalization, and hemispheric studies ; history of the book ; indigenous studies ; regionalism ; cultural studies)?
– How have the trajectories of Canadian and Quebec literary studies intersected / collided during the last forty years ?
– What institutions have mattered most to the making of Canadian and Quebec literatures since 1975 (e.g., funding agencies, state policy, particular university departments, associations, journals ), and do Canadian and Quebec literary studies share concerns about the influence of particular forms of institutionalization?
We also welcome member-organized sessions on topics related to any aspect of Canadian and Quebec literatures. Calls for member-organized sessions should be no more than 200 words. They are due on or before31 October 2014 and will be posted on the ACQL website.
Please send paper proposals (no more than 300 words) with a short biography and a 50-word abstract in Word or RTF to one of the coordinators listed below by 15 January 2015.
All paper or session proposals can be written in French or English. Those who propose papers or sessions must be members of the ACQL by 1 March 2015. See the ACQL website (www.alcq-acql.ca) for membership and registration information.
Professor Jody Mason
Department of English
Dunton Tower 1812
1125 Colonel By Drive
Telephone: (613) 520-2600 x8907
Fax: (613) 520-3544
Professor Sylvie Bérard
1755 West Bank Drive
Telephone: (705) 748-1011 x7383
Fax : (705) 748-1630
Gabrielle Roy Prize 2013
May 24, 2014: The Association for Canadian and Quebec Literaturesis pleased to announce that the winner of the 2013 Gabrielle Roy Prize (English section), which each year honours the best work of Canadian literary criticism published in English, is Paul Martin for Sanctioned Ignorance: The Politics of Knowledge Production and the Teaching of Literatures in Canada, published by the University of Alberta Press. The book was chosen by a jury composed of Tanis MacDonald (Wilfrid Laurier University), Karis Shearer (University of British Columbia, Okanagan) and Jason Wiens (University of Calgary), from among twenty-one books submitted for the prize. Dr. Martin accepted the prize from jury chair Tanis MacDonald (Peter Midgley photo).
The jury members recognize Sanctioned Ignorance as a book that takes as its goal the troubling of our understandings of teaching Canadian literature in order to call for a greater complexity in canonical and divisional studies and challenge current systems of knowledge production in the study of Canadian literatures in post-secondary institutions. The task Martin undertakes, a reading of the literary landscape through the politics of context, pedagogy, and cultural dissemination, demands attention to the rich and too-often effaced legacies of diasporic, Francophone, and First Nations writers on the way to advocating a more expansive Canadian literary study that is no longer “a prisoner of its own amnesia.” The committee was unanimous in their admiration for Martin’s vital and far-reaching questions about the protocols and pitfalls of creating a Canadian national literature for the future.
The jury would also like to congratulate the three other finalists in this year’s competition, and to note that this was an extremely competitive year for the Gabrielle Roy Prize. Also shortlisted for the Prize were: Gregory Betts for Avant-Garde Canadian Literature: The Early Manifestations (University of Toronto Press); Jody Mason for Writing Unemployment: Worklessness, Mobility, and Citizenship in Twentieth-Century Canadian Literatures (University of Toronto Press); and Lorraine Yorkfor Margaret Atwood and the Labour of Literary Celebrity (University of Toronto Press).
Gregory Betts’ book offers a long overdue discussion of avant-garde traditions as they have appeared in Canada, and also examines avenues of political and cultural resistance to reading the avant-garde as part of our national literature. Beginning with the literature of cosmic consciousness from the beginning of the twentieth century, Avant-Garde Canadian Literatureconsiders a historical arc of more than a hundred years, and Betts debates the varying potentials for avant-garde aesthetics to perform literary and other revolutionary work and, in the process, makes us re-consider the literary history we thought we knew.
Jody Mason’s Writing Unemployment calls attention to the sociological and economic assumptions underwriting the ideology of the English-Canadian literary canon by examining the representations of unemployment in Canadian writing from the beginning of the twentieth century to the 1970s. Reading these representations in relation to wider discursive constructions of unemployment in government policy and popular media, Mason’s work casts new light on the role of worklessness in the literary nation-state and challenges the materiality of privilege in the Canadian canon.
Lorraine York’s Margaret Atwood and the Labour of Literary Celebrity is a book that delves deep into the dynamics of publication, promotion, and literary stardom in Canada, with the important bonus that it takes as its subject not only Atwood’s work in a wide variety of genres, but also Atwood as social entity, media consumer and user, and cultural commodity negotiating multiple subjectivities. The book offers an engaging narrative that follows Atwood’s personae, both electronic and in person, into the future of literary publishing.
Barbara Godard Emerging Scholar Prize 2014
At the ACQL conference at Brock University, ACQL’s 2014 Barbara Godard Prize for the best paper by an emerging scholar was awarded toJessica Ratcliffe of the University of Saskatchewan for “The Politics of Science Fiction and Nalo Hopkinson’s Brown Girl in the Ring” and toIsabelle Kirouac-Massicotte of the University of Ottawa for “De la colonisation à la prospection minière : la question de la frontier dans ‘Le rêve d’un géant’ de Jeanne-Mance Delisle.”
Jury members Lucie Hotte (presenting the prize to Jessica Ratcliffe, at right), Hannah McGregor, and Wendy Roy called Jessica Ratcliffe’s essay a complex and beautifully constructed examination of genre hierarchies as they relate to science fiction, using Nalo Hopkinson’s 1998 novel Brown Girl in the Ring as a case study. This cogently argued paper engages with the racialized boundaries of genre by questioning what constitutes the “science” in “science fiction”; in so doing, it offers both a fresh reading of Hopkinson’s work and a valuable intervention into the nascent field of science fiction studies. Her essay intriguingly concludes that Brown Girl demonstrates that colonialism can be found in the politics of genre and that, despite the reputation of science fiction as a site for decolonization, rigid genre categorization can be used to submerge narratives of alterity.
The jury judged that Isabelle Kirouac-Massicotte’s essay is a detailed and compelling exploration of the question of the frontier as it is represented in works such as ”Le rêve d’un géant” by Jeanne-Mance Delisle. This elegantly written paper teases out the intersections of colonialism, land exploitation, wealth accumulation, indigenous exploitation, and religious conversion by proposing that Quebec’s north might be productively theorized in terms of the North American frontier myth. Using Delisle’s story as a case study, Kirouac-Massicotte concludes that in certain works of Quebec literature, the northern frontier is the real frontier.
Conference 2014 program
The Association for Canadian and Quebec Literatures is pleased to release the program for our annual conference at Brock University, St. Catharines, Ontario, on May 24-26, 2014. This year’s Congress theme,“Borders without Boundaries,”encourages us to think about geopolitical borders. In the contemporary context of neoliberalism and globalization, such questioning is increasingly compelling and necessary; indeed, numerous recent studies of Canadian and Québecois literary cultures insist on the cultural and political urgency of examining contemporary geopolitical borders.
The provisional program can be found here; information about the keynote addresses is below.
The English-language plenary speaker for our annual conference at Brock University May 24-26, 2014, is Dean Irvine, Associate Professor of English at Dalhousie University and Director of Editing Modernism in Canada/L’édition du modernisme au Canada (EMiC/EmaC). His presentation is intitled “Salvage Modernisms: Indigenous Knowledges, Indigenization, and Digital Repatriation”.
Accounting for the co-emergence of salvage ethnography and modernist poetics in the early twentieth century, specifically in the context of communicative exchanges between aboriginal mythtellers and (non-)aboriginal ethnographers, translators, and interpreters on Canada’s west coast, this paper calls for a reassessment of the overlapping domains of indigenous and non-indigenous knowledges and their relationship to the emergence of anglophone literary modernism in Canada. According to cultural policy of the period, aboriginal art and orature were treated as natural resources — that is, resources to which it was commonly held no individual indigenous person could make a singular claim and, therefore, could be freely colonized and extracted for use by non-aboriginal ethnographers and creative practitioners. This systematic refusal to recognize aboriginal artistic production as art and to salvage it instead as ethnography — that is, the material and immaterial cultural heritage of a people whose “disappearance” was overseen by state policies of assimilation — cleared ground for the indigenization of modernist visual art and literature in English Canada. This indigenized modernism, whose primitivist modes attempted to translate aboriginal cultural artifacts and knowledges into a modernist aesthetic, furthered the assimilation of aboriginal cultural heritage into a dominant imperial culture.
Because 1922 is widely recognized as the annus mirabilis of international literary modernism and because this is the latest year in which all such texts are available globally in the public domain, international copyright legislation has effectively divided the period into what Paul Saint-Amour calls “a freely accessible early modernism and a heavily protected late one.” This understanding of public domain reveals acute blind spots in Western conceptions of cultural property, which chronically fail to accommodate non-Western systems of knowledge circulation and preservation. In effect, public domain has re-enacted early twentieth century cultural policy that rendered indigenous knowledges and art as part of a linguistic and aesthetic commons available for expropriation by non-aboriginal peoples. With the digitization of ethnographic materials collected, translated, and published in the early twentieth century — as evidenced by their availability in digital repositories such as Google Books, the Internet Archive, and the HathiTrust —public domain legislates a new phase of salvage ethnography. And along with the concurrent digitization of indigenized modernist texts in the public domain, the recirculation of salvage ethnography looks to recolonize and expropriate indigenous cultural heritage in digital media. Instead of a return to salvage ethnography in new media, this paper proposes the digital repatriation of indigenous cultural heritage, not to facilitate open access but to safeguard traditional knowledges in collaboration with First Nations communities and in observance of the cultural protocols that regulate circulation and preservation.
Gabrielle Roy Prize 2012
June 2, 2013: The Association for Canadian and Quebec Literatures is pleased to announce that the winner of the 2012 Gabrielle Roy Prize (English Section), which each year honours the best work of Canadian literary criticism published in English, has been awarded to Keavy Martinfor Stories in a New Skin: Approaches to Inuit Literature, published by the University of Manitoba Press. The book was chosen by a jury composed of Cecily Devereux (University of Alberta), Cynthia Sugars (University of Ottawa), and Linda Warley (University of Waterloo), from among eighteen books submitted for this year’s prize. The prize was accepted by Keavy’s grandmother, Margaret Robertson, shown below with ACQL English vice-president Sara Jamieson. Photo of Keavy Martin, above, by Shaughn Butts, Edmonton Journal.
The jury members recognized the book as a groundbreaking study of Inuit literature. Martin has attended to Indigenous authors and critics who have for decades argued that their literature should be analyzed on its own terms, according to tribal and community perspectives and in keeping with Indigenous knowledges. Martin brings a sophisticated approach to Inuit stories by recognizing how both tradition and adaptation have shaped them. Stories in a New Skin radically shifts academic understandings about the nature and location of knowledge. In the view of the entire committee, Stories in a New Skin is not about expanding familiar canons, but about changing the ways we read.
The jury would also like to congratulate the two shortlisted finalists in this year’s competition: Sandra Djwa forJourney with No Maps: A Life of P.K. Page (McGill-Queen’s UP), and Tanis MacDonaldfor The Daughter’s Way: Canadian Women’s Paternal Elegies (Wilfrid Laurier UP). Sandra Djwa’s biography of P.K. Page builds on her already considerable reputation as one of the best literary biographers in Canada. Having had exclusive access to P.K. Page herself, as well as to her extensive personal and archival papers, Djwa has been able to bring precise attention to the life and career of this most important Canadian poet and artist. Djwa’s biography will be the definitive work upon which all future students of Page’s work will draw. Tanis MacDonald’s The Daughter’s Way represents a new way of understanding Canadian women’s poetic elegies. Ranging widely across twentieth- and twenty-first century Canadian women’s texts, the study provides a compelling and precisely focused engagement with gender, genre, and nation. MacDonald (herself a poet) brings a rich understanding of the importance of poetic form. She produces insightful analyses in prose that is crystal clear and a pleasure to read, making readers engage with the evocative power of the “literary” all over again.
Barbara Godard Emerging Scholar Prize
At the 2013 ACQL conference in Victoria, B.C., Hannah McGregor of the University of Guelph was awarded ACQL’s 2013 Barbara Godard Prize for the best paper by an emerging scholar, for her paper “The Anxieties and Affordances of Genre in the Work of Karen Connelly.” The jury members, Lucie Hotte, Joanne Leow, and Wendy Roy, judged that McGregor’s essay provides a nuanced and perceptive exploration of medium, genre, and reception, successfully situating its close literary analysis within the larger context of popular reception and theoretical studies. Succinct, yet complexly-argued, the essay provides a clear portrait of what the author calls Connelly’s “Burmese Trilogy,” elucidating why it is the ideal site to explore how the novel works in contemporary times.
The jury also awarded honorable mentions to Nicole Nolette of McGill University for her paper “Garage Alec, ou la ‘réparation’ par la comédie des langues” and Matt Carrington of York University for his paper “The Canadian Poetry Magazine Online: Clicking Through the Digital Page.”